Showing posts with label gospel. Show all posts
Showing posts with label gospel. Show all posts

07 December 2015

Commentary on John 1:4-5

 In Him was life, and the life was the Light of men. The Light shines in the darkness, and the darkness did not comprehend it.

-John 1:4-5 (NASB)

Here, John continues on with more abstract descriptions of the Word: He is the source of a life that brings light to all of humanity. The same living Word who was in the beginning, who was everything's first cause, continues providing life, light, and goodness to all who see Him.

In verse 5, we see our first indication of an adversary. Up until now, the Word has been unopposed, as well you might imagine. After all, think about what a potential opponent would be facing: A being that was in the beginning with God, that is one with God Himself, and that has brought all things into existence. It's not exactly taking candy from a baby to go up against this guy.

Nonetheless, this divinely powerful Light does have an opponent: The darkness. The word that the NASB renders "comprehend" is actually κατέλαβεν, and "comprehend" is only one possible meaning. Other senses of the word include "take hold of," "arrest," "capture," and "perceive." It comes from two words meaning "to aggressively take" and "down." Literally, the darkness cannot take the light down.

So the darkness could signify ignorance here: The Light was shining in the darkness, but the darkness failed to understand it.

Or the darkness could signify opposition: Despite its best efforts, the darkness couldn't stop the Light from overcoming it.

Regardless of which sense is correct here (and the answer might be that both are!), the Light stands in direct opposition to the darkness. It contends against darkness, evil, ignorance, and general sneakiness. This is a common theme in St. John's writings -- his first epistle reads, "This is the message we have heard from Him and announce to you, that God is Light, and in Him there is no darkness at all" (I John 1:5).

The stage is set, the actors are in position, and the lights have come up on center stage, overwhelming and driving out the darkness. (The darkness isn't completely gone, though -- he's hiding in the wings, preparing for his next appearance.) Now, at last, we're ready for the narrator to come on the scene...

04 December 2015

Commentary on John 1:3

All things came into being through Him, and apart from Him nothing came into being that has come into being.
-John 1:3 (NASB)
Here, we learn that the Word (who, as you'll remember, was both with God and one with Him) is the source everything that exists. In other words, nothing has appeared on the universe's stage without His direct, express involvement.

This is probably as good a time as any to address a couple of Christianity's fundamental problems:

  1. If God's nature is thoroughly good, unadulterated by any evil, and if everything in existence has come through God, then how can we explain evil's existence? How could a good God have created a world fraught with evil?

  2. Similarly, if God is all-powerful, and if He hates evil (since it is foreign to His character), how can we explain evil's continued existence? Why hasn't He wiped it out from the universe once and for all?
It would be foolish to claim that I have some final, ironclad answer to these questions. In fact, many brilliant philosophers have been arguing about this very matter for centuries. I can, however, tell you where my intellectual and spiritual journey has led me. 
  1. I believe that when God creates rational beings, He gives them the ability to make decisions. This statement may seem obvious, but think about its implications. If God forced every human -- or angel, or whatever other will-bearing beings may exist -- to behave in accordance with His perfect nature, they wouldn't truly have the ability to make decisions. Oh, they might be able to choose within a range of acceptable options, but the decisions that mattered most to their identities would have been made for them long ago.

    I would argue, then, that our ability to choose evil is a fundamental part of being made in God's image. That is, our capacity for making decisions -- good or bad -- is the fingerprint of the divine.

  2. I believe that mercy is a fundamental part of God's nature. This is particularly true in how He views mankind, His favorite creatures. Just as I do not wish to destroy my children when they choose to disobey me, God does not wish to wipe out His disobedient children, either. Instead, He wants to reach out, to restore our broken relationship, to give us as many chances to repent as possible.

    This is why He sent His Son to take our sins on Himself and bear the punishment of our evil. Being divine, Christ is able to accept God's wrath without being permanently removed from His sight. Being human, Christ is able to truly take the punishment that Adam and his children deserved.

    Nonetheless, God is also constrained by His goodness, righteousness, and holiness. Thus, He cannot and will not brook unrepentant rebellion forever. A day of reckoning must come for those who do not accept Christ's substitutionary sacrifice on their behalf.
We'll dig deeper into these ideas later. For now, the important thing  to see is that everything came into existence through the medium of the Word, the divine logos. And by everything, the evangelist means EVERYTHING. He emphasizes this by repeating himself in the second phrase: "Apart from Him nothing came into being that has come into being." 

God's very divine Word, the being with whom He is one, and with whom He was in the beginning, is the source of everything that is and everything that ever has been. And, as we'll see, the Word is also the only way for God's rebellious children to return to Him.

02 December 2015

Commentary on John 1:1-2

In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God.

-John 1:1-2 (NASB)

From the very first words of John's gospel, it's obvious that this won't be a straightforward story. Jesus Christ, of course, is the focus of this book, but the evangelist won't actually mention him by name until verse 17. Instead, he begins with a more abstract title: logos (λόγος - "the Word").

John's audience, if they were familiar with the Septuagint (the translation of the Hebrew Scriptures into Greek), probably would have identified logos with God's universe-creating word of power, as in Psalm 33:6:

By the word [λόγω] of the Lord the heavens were made,
And by the breath of His mouth all their host.

If the readers were familiar with contemporary Jewish philosophers, they might have also heard of Philo of Alexandria's concept of the logos, which he identified with the Angel of the Lord. For Philo, the logos was an immaterial, adequate shadow of God, containing the fullness of His supernatural wisdom and power. Or perhaps they would have known of the Stoic concept of logos, dating back to 300 BC. Zeno and other stoics considered the logos to be the material, driving principle behind all life and action in the universe.

John's use of the term logos signals that he wants to provide his readers with a narrative deeper than a mere recounting of historical events. That doesn't mean he's going to play fast and loose with the facts. It does mean, though, that he's more concerned with spiritual truths than he is with giving an exact, detailed chronology of Christ's life and ministry.

We can tell from this first sentence that John's project is ambitious. The scope of his narrative begins not with Jesus's human birth in Bethlehem, but with the very origins of the universe itself. Moreover, the sentence echoes the first sentence in Genesis: "In the beginning God created the heavens and the earth." The implication is that, like some evangelistic Paul Harvey, John is here to tell The Rest of the Story.

John clearly asserts three things about the Word in verse 1:
  1. The Word was present in the beginning (time)
  2. The Word was in God's presence (location)
  3. The Word was distinguishable from God, and yet one with Him (identity)
In verse 2, John repeats his first two assertions, but uses the pronoun οὗτος ("this one," or "he / she / it"): This One existed in the very beginning, and This One was together with God at that time. The repetition underlines the fact that the Word was both distinct from God and present with Him before the world existed.

So, then, the stage is set, and the actors are present:
SCENE: The beginning of all things.
Enter GOD, accompanied closely by THE WORD, the embodiment of His dynamic creative power. They are distinct, yet somehow one.
And without even reading the next verse, we know what must follow. After all, here we are, surrounded by a fully-formed, wondrous world...

27 November 2013

Thanksgiving Eve Communion Meditation

Take a moment to consider what you are thankful for tonight. Is it family? Friends? Food to eat, clothes to wear? A warm place to stay?

You probably didn't say, "The gruesome execution of an innocent man." In fact, though, that is precisely what we are here to remember, to celebrate, and to give thanks for.

Tonight, we remember our abject failure, both individually and collectively, to do things God's way. We remember our willful treachery toward a loving Father. (And let us not deceive ourselves: ours was a betrayal every bit as vile – and every bit as permanent – as Judas Iscariot's.) We remember the dark, despairing night of our sojourn among the hopeless dead.

We remember, too, a blameless man who loved, healed, and forgave as freely as He breathed. He was the obedient son, a perfect foil for Adam’s rebellious race. He gave of himself with an intensity greater even than our self-seeking greed. Everything he did was perfect, since he followed in his heavenly father’s perfect steps.

And this faultless one, this perfect son, was the man who stood in our rightful place under the wrath of a just judge. He bore our iniquities and the punishment for our sins without a word of complaint. He drank the cup of God’s wrath down to the last bitter dregs.

Isaiah wrote this about the suffering servant:

1 Who has believed our message?
And to whom has the arm of the Lord been revealed?
2 For He grew up before Him like a tender shoot,
And like a root out of parched ground;
He has no stately form or majesty
That we should look upon Him,
Nor appearance that we should be attracted to Him.
3 He was despised and forsaken of men,
A man of sorrows and acquainted with grief;
And like one from whom men hide their face
He was despised, and we did not esteem Him.
4 Surely our griefs He Himself bore,
And our sorrows He carried;
Yet we ourselves esteemed Him stricken,
Smitten of God, and afflicted.
5 But He was pierced through for our transgressions,
He was crushed for our iniquities;
The chastening for our well-being fell upon Him,
And by His scourging we are healed.
6 All of us like sheep have gone astray,
Each of us has turned to his own way;
But the Lord has caused the iniquity of us all
To fall on Him.
7 He was oppressed and He was afflicted,
Yet He did not open His mouth;
Like a lamb that is led to slaughter,
And like a sheep that is silent before its shearers,
So He did not open His mouth.
8 By oppression and judgment He was taken away;
And as for His generation, who considered
That He was cut off out of the land of the [k]living
For the transgression of my people, to whom the stroke was due?
9 His grave was assigned with wicked men,
Yet He was with a rich man in His death,
Because He had done no violence,
Nor was there any deceit in His mouth.
10 But the Lord was pleased
To crush Him, putting Him to grief;
If He would render Himself as a guilt offering,
He will see His offspring,
He will prolong His days,
And the good pleasure of the Lord will prosper in His hand.
11 As a result of the [p]anguish of His soul,
He will see it and be satisfied;
By His knowledge the Righteous One,
My Servant, will justify the many,
As He will bear their iniquities.
12 Therefore, I will allot Him a portion with the great,
And He will divide the booty with the strong;
Because He poured out Himself to death,
And was numbered with the transgressors;
Yet He Himself bore the sin of many,
And interceded for the transgressors.


So, tonight, we remember this prince who died the ignoble death of a slave on our behalf. We remember the one who willingly braved a dark, deadly path to redeem the lost souls of his straying people. And we are thankful, more than words could express, that he was willing to be utterly broken so we might be made whole again. Only God’s matchless mercy could have achieved this. Let’s thank Him for the provision of such a marvelous savior.

19 November 2012

Slave (Rom. 1:1)

Note from the LuapHacim: I am working through Paul's letter to the Romans, trying to get a little deeper into its arguments. I find that writing free verse helps me to stretch my thinking about a thing, so I'm writing one free verse thingie (I hesitate to call them poems) for every verse or two in the book. The results will be posted here with the label "Romans Indisprosed." Comments and criticism are welcome, with one requirement: they must be in free verse, too. It is impermissible to hate the playa without participating in the game.

Slave

No will, no power, no choice,
Constrained by a master's orders,
Sold into subservience,
Yet, inexplicably, full of joy.

Why?

Zealous, bloodthirsty persecutor,
Hand-picked by a laughing god
To serve the object of his former hatred,
To sing of the love that transformed him
From a Very Important Pharisee
Into a laughingstock and a byword,
That wrested away his last lingering shred
Of poisonous self-importance,
Replacing it, like a bad blind taste-test,
With reviling, ridicule,
Stonings, beatings, shipwrecks,
Poverty, pain, and prison.

And filled him with joy, to hold him there.

Taste the irony. A dignified fundamentalist
Transformed into a heretical buffoon,
An unlikely mouthpiece:
The almighty's favorite kind.

10 November 2012

Album Review: Matthew Clark's "Bright Came the Word From His Mouth"

I love epics. Not much makes me happier than trekking with Frodo through Mordor toward Mount Doom or sailing over the bright whaleroad to Heorot with Beowulf. Something about these broad, sweeping stories engages me and pulls me in deeper than other tales can.

So I was thrilled at the chance to hear an advance review copy of Matthew Clark's upcoming project, Bright Came the Word From His Mouth.

This album is a thoughtful, melodious journey from one end of time to the other. It deals with the most significant facets of human existence. In the bard's rhythms and rhymes, we hear echoes of eternity. An epic, if ever I've heard one.

Appropriately enough, "Bright Came the Word" is inspired by Sandra Richter's book, The Epic of Eden. Clark wrote the album as a soundtrack for the book's companion DVD. Richter's purpose for writing the book was to put the Old Testament in a usable order so readers could gain a better understanding of God's redemptive plan.

Clark's album dovetails nicely with that mission. The very first song, "Overture," engages listeners with themes that continue as unbroken threads until the end: sin, sacrifice, redemption, and reconciliation. It foreshadows an album that is remarkably unified, both musically and lyrically.

"Overture" is also a great introduction to Clark's musical style. He creates delicate, carefully measured melodies, consistently backed by his skillful folk guitar as well as understated vocal and instrumental harmonies. His sound, reminiscent of Matthew Perryman Jones or David Crowder, is sincere, honest and dynamic.

Clark's lyrics are no less skillful than his music. They are dense with vivid metaphors and insightful readings of scripture. These lines from "Overture" tell volumes about Abram, his faith, and how he foreshadowed the redemption that would come in the person of Christ:
Abram held the promise close, Raised the blade above his head 
 A son will surely give his life, Know the promise breaks the knife
These lyrics exemplify Clark's commitment to depth and truth without preachiness. It is often difficult to communicate sound doctrine in an imaginative way, but Clark maintains an unfailing balance between orthodoxy and creativity.

It's hard to pick a single high point of this album. From the wistful longing of "Oh Eden!" to the driving rhythm of "Let Go the Floodgates" to the melancholy, expectant strains of "Where I Am You May Also Be," Clark communicates a variety of emotions and allows his music to illustrate the depth and richness of the gospel story.

In many ways, though, "Redemption Song" stands out as the cornerstone of Bright Came the Word From His Mouth. Its chronological scope is very broad, and it shows the continuity of God's plan in an especially eloquent and imaginative way. It weaves the stories of Lot, Ruth, and Hosea together as examples of humanity's desperate need for a savior. The final verse encapsulates the album's entire message in a single brief burst of lyrical beauty:
So the Father sends his only son, to ransom all the lost
From enemies too strong for them, from the poverty of loss
In the squalor of the pit, where the willing faithless sit
To the depths the love of God has sent his Word, redemption
I suppose a reviewer is more or less obligated to find something nasty to say about what he is reviewing. At any rate, that is the idea I get from most of the reviews I read. Well, I have bad news: I don't have anything nasty to say about this album. However, I suppose I can invent something sort of unfavorable to say about one of the tracks, since you insist.

"Let Go the Floodgates" sticks out just a little bit. Its bluesy, rhythmic music is markedly different from most of the other songs on the album, and the narrative voice of its lyrics is also pretty unique. It's certainly no monstrosity, and its sound is positively addictive. Nonetheless, if you held a gun to my head and demanded that I remove or alter a song on this album, I would say, "Seriously? I really don't want to." And you would say, "I'll use this! Don't think I won't! You're on thin ice, scumbag!" And then I suppose I would say this one. Not because it's bad, but because it seems like the album would still hold together OK without it.

Well, that was adequately painful, I think. Let's get back to gushing for a little while longer. 

"Reprise" is a perfect way to end the story. In it, Clark closes out his epic journey by returning to its beginning. Creation, once corrupted by sin and death, has been restored by Christ's redemptive work. Eden, once lost, has been regained:
Rest your sword by your side, fling the gates wide, at ease you cherubim
Dance you City of God, trees clap your hands, God and man home again
It is a marvelous, triumphant finish to a consistently excellent album. If you don't feel like getting up and dancing during "Reprise," then you are probably way too uptight and should loosen up, man. Seriously.

From beginning to end, this is a noteworthy album, full of truth, light, life, and hope. It is an epic, but more importantly, it is a clear, beautiful, and powerful account of a loving God who gave His all to bring His wandering children home.

Bright Came the Word From His Mouth is slated for release in January 2013. You can learn more about Matthew's music at his Web site. If you want to help him recoup some of the cost of recording the album, take a look at his indiegogo fundraising site.

07 November 2012

Poems Inspired by John's Gospel

My Hutch-friend Rebecca has written some really good poems about the Gospel of John. I have been meaning to link to them for a while.

Here are some lines from her latest one (The Little Boots Liturgies: John 20):
They sat in blanked silence,
retracing the death of all known belief,
yielding to every aftershock,
as it rolled through the dry earth of their bodies.

“It is finished!” 
They had heard it with their own ears.
They had watched
while each last hope pulled shut

like a bolted door,

through which
Hope passed (even yet)
and stood among them.

“Peace, be with you.”

See Him there,
transposing physics.
OK, so I wanted to go on quoting, but pretty soon I would have posted the whole poem, and then you would have no reason to click on the link to her site.

Don't just sit here; there's poetry to be read! What are you doing still reading this?!